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Leaving Space for Students in the Classroom

When I first started teaching two years ago, I was under the impression that I would be the one leading the classroom. I thought the lessons would start and end with my planning. Little did I know that the course of elementary classes— despite all of the books and worksheets, PowerPoints and English games I prepared— was charted by students. From the very first day, my students shaped my English classes with their curiosity, their interests, and their moods. If they were excited, they projected their energy into the activities I planned. When my students were having a hard day, when they were tired or frustrated, they let me know both vocally and with their body language. Even when I didn’t factor my students into my lesson plans they showed up to class and shaped the 40-minute blocks of time we spent together.

Therefore, after a bumpy first few months, I made the conscious choice to leave space for my students in the classroom. Activities became more open-ended. I started each day by asking students how they were feeling. If the resounding answer was bad, then I would follow up with more questions. And slowly, through surveys and speaking games, comics and posters, the interests of my students began to emerge. Baseball and Hip hop. Pokémon and ant colonies. BTS and sewing. I learned which students took horse riding lessons every week and which students visited their grandparents by the beach. Students talked about their upcoming BMX competitions, their unicycle academy, and their Rubix cube records. Their interests were wider and more varied than I could have ever imagined, and with each class the small window I had into the lives of my students grew larger and larger.

I teach at two small, rural elementary schools and the students rarely have a chance to use their English outside of the classroom. Therefore, this spring I decided to initiate a postcard exchange between these two schools. At first, I was unsure if my students would even be able to write enough text on the postcard, much less be excited for a project that might seem so intimidating. To my surprise, the students responded with resounding enthusiasm and were eager to meet another kid their age through the postcard project.

I did a day of pre-writing before we wrote and decorated the final postcards. After our pre-writing exercise, I collected their worksheets and settled into my desk to check what they had written. The letters written by my students ranged from sweet (I love my school and P.E. class. You should come to my school) to silly (I hate studying and I hope you hate it too). Students shared their interests (I like drawing and looking at the sky) and their future hopes (In the future, I want to be president). They were curious (Do you know how to write in cursive?) and excited (Let’s be friends)! For many of them, this was the first chance to connect with someone else their age using English.

The students asked constantly when they were going to receive their card. Finally, after two weeks, I handed out the postcards and gave students time to read. They hunched over their own postcard and then ran to compare with friends. They pointed at the drawings students had left them, small stickers stuck to the corners of the cards. They critiqued the designs students had selected. As I left their classes, I heard some students ask their homeroom teacher if they could hang the postcards up on the bulletin board.

After that first semester struggling to connect with my students and unsure of my own teaching abilities, making my classroom more open-ended is what ultimately helped me grow into a better teacher.

Now, two years later, I am so thankful for my students—for all of the times they stuck with me when I was trying out a new activity, and all of the times they threw themselves into a new project with passion and enthusiasm. If there was one thing I could tell a new teacher it would be this: listen to your students. Give them time and the opportunity to communicate with you through speaking, writing, drawing or any other medium. I guarantee they will surprise you like they surprised me. I didn’t know how much my students wanted to express themselves in the classroom until I made the conscious effort to start listening.

Tatum Shannon

3 years ago

How to get started with Korean Art

Jane Sandwood

Korean art includes a diverse range of art forms and styles that has its roots in stone age works dating back to 3000 BC. It is characterised by the use of bold colours, natural forms and surface decorations and the main mediums of expression include pottery, sculpture, painting and calligraphy. Many Korean artists have modified Chinese or Japanese traditions to create their own unique art style at the same time as transmitting historical aspects of both cultures.

Characteristics of Korean Art

The beauty and strength of Korean art lies in its sheer simplicity, spontaneity and its harmonious relationship with nature and natural forms. In this way, it is a lovely art from to engage with as it is not concerned with technical proficiency or perfection, instead the idea is to work closely with nature and bring out its natural and inherent characteristics in a simple and unadorned fashion. This creates lots of scope for creativity and subjective interpretation.

Early Korean painting

The objects of traditional Korean painting include Geisha’s, beautiful landscapes and animals and flowers. The paintings are generally simple yet are brought to life with some fine and intricate detail in parts as well as a range of bold and eye-catching colours. The history of Korean painting dates back to fourth century murals painted on tomb walls . Many of the early Korean painters travelled to China to study modern Chinese painting styles, which would eventually influence Japanese art as many Korean artists eventually migrated to Japan.

How to paint Korean style

In the past, Korean painting consisted primarily of chiese ink and dye on sheets of silk paper. It is also possible to create authentic looking Korean paintings using watercolour. Watercolour is a beautiful and natural looking medium that is particularly good to use for landscape paintings as well as bring different figures and portraits to life.

Watercolour can also be used to give an impressionistic feel to paintings which can work particularly well with landscapes and natural scenes. If you are new to painting, then watercolour is a great way in as you can get impressive results with little experience. However, it does help to have some knowledge and skills in drawing first which will increase the quality of the watercolour paintings that you produce.

Korean Calligraphy

Another good starting point for getting into Korean art is calligraphy. It requires few materials and it can be really satisfying and therapeutic. Traditional Korean calligraphy is created with a soft and flexible brush, dipped in black ink and drawn on white paper. The modern take on this are brush pens which are made of plastic with an ink reservoir and felt tip, these are easier to get hold of and to work with.

Investing in a range of brush pens with a different level of thickness and some good quality paper is enough to get you started. Control and steadiness, which is essential to good calligraphy is something that you will gain over time through practice. There are many online tutorials or guidebooks that you could use to help you while you are staring out.

Art

5 years ago